沉浸式互動(dòng)裝置《靜謐》by lull

AV&C的文森特·霍澤、斯蒂芬·貝克和大衛(wèi)·比安恰爾迪為首屆“白晝換黑夜節(jié)”創(chuàng)作了《靜謐》——一個(gè)沉浸式互動(dòng)的裝置，探索了意識(shí)和無(wú)意識(shí)之間的極限狀態(tài)。在一個(gè)沒(méi)有燈光的6000平方英尺的倉(cāng)庫(kù)中心，液體光的波浪在半透明三角形結(jié)構(gòu)的墻壁上若有所思地起伏。簡(jiǎn)單的規(guī)則塑造了這個(gè)不斷進(jìn)化的動(dòng)畫(huà)，產(chǎn)生了有機(jī)的抽象模式，其復(fù)雜的行為在秩序和混亂之間搖擺不定。沉浸在與洶涌的流體同步回響的層層遙遠(yuǎn)旋律中，以及延伸和模糊內(nèi)部光線的濃霧中，游客們?cè)诘袼苤羞M(jìn)進(jìn)出出，仿佛在夢(mèng)中。

For the inaugural Day for Night festival, AV&C’s Vincent Houzé, Stephen Baker and David Bianciardi created lull – an immersive and contemplative installation that explores the liminal state between conscious and unconscious. In the center of an unlit 6,000-square-foot warehouse, waves of liquid light undulate wistfully across the walls of a semitransparent triangular structure. Simple rules shape this ever-evolving animation, giving rise to organic abstracted patterns with complex behavior that teeter between order and chaos. Immersed in layers of distant melodies that reverberate in sync with the surging fluid, as well as in a dense plume of fog that extends and blurs the light within, visitors dip in and out of the sculpture as if in a dream. more on our site av-controls.com/lull